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Working with helmer Sam Mendes and co-director and choreographer Rob Marshall, Natasha Richardson proved she was much more than just a classically-trained thespian.

New York Times critic Ben Brantley raved that Richardson was "extraordinary" and said she was "a dazzling example of how star power can be harnessed to create a devastating portrait of someone who is definitely not a star." For her efforts, Richardson first won the Drama Desk award for lead actress in a musical.

“Last year I bought all these cookbooks and did a different country every month for a few months.” But the big reason for staying in is little Madison.“You just start making choices based on the fact that you want to be with your kid,” he says.

As he once told PEOPLE, “I made a lot of money and met a lot of chicks.

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She shared at the time: 'I feel like we're good at doing our own thing but also at coming together.

She lost that race to Jane Alexander for "The Sisters Rosensweig." And like Liv Ullmann, star of the second revival of "Anna Christie" in 1977, Richardson was also nominated for a Tony Award as lead actress in a play.

That category pitted niece against aunt, as Lynn Redgrave was nominated for her tribute to Richardson's grandfather, Sir Michael Redgrave, in "Shakespeare for My Father." They and Alexander lost to the latter's costar Madeline Kahn.

And then at the Tonys, she prevailed over a quartet of musical theater vets — Betty Buckley ("Triumph of Love"), Marin Mazzie ("Ragtime") and co-nominees Alice Ripley and Emily Skinner ("Side Show").

The show won three other Tonys that night — musical revival, lead actor (Alan Cumming), and featured actor (Ron Rifkin).