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(Andrea Pitzer, Nieman Storyboard, 2-22-10) Creative Nonfiction Writers Conference (this link changes often--just google the name of the conference, if this one doesn't work) Learning to Listen (Gina Kolata interviews Rita Charon on narrative medicine program at Columbia, NY Times, 12-29-09) See also Writers conferences, workshops, and other learning places (a separate page on Writers and Editors) You can find further recorded talks from many of these conferences by doing an online search using the names of the conferences. Early on she talks about Frank Sinatra Has a Cold" being the best profile piece ever, because of Talese's reporting.Nieman Narrative Conference Three threats to narrative journalism that New York Times editor Bill Killer is not buying (Beth Macy, 4-27-10, reporting on Keller's talk at Nieman Narrative conference) Tips from Nieman Narrative: What Works for Readers, Editors & Sources (Bill Kirtz, Poynter) Nieman Narrations: Tips and Tales from Top Storytellers (Bill Kirtz, Poynter, 3-17-08) Tips and Tales from Some of the Best in the Business (Bll Kirtz on Nieman 2006, 11-20-06, updated 3-3-11) Mayborn Literary Nonfiction Conference(Grapevine, Texas, July) As experienced by Sam Eifling and described in I Heard It While in Grapevine (Columbia Journalism Review, 7-28-09) Mark Bowden on the value of beginners mind. Again, the importance of outlines (Talese's is shown) and the building of tension in the story, collecting fly-on-the-wall details ("Harlan Ellison's boots") by tracking down Harlan Ellison the next day and questioning him about the fight scene.The future of long-form narrative by Gerry Marzorati, the NY Times Magazine editor's keynote address at the 2009 CASE Editors' Forum Gary Smith on intimacy and connecting with subjects (Any uneasiness you bring is going to cost you dearly," says the writer from Sports Illustrated).Andrea Pitzer, for Nieman Storyboard, reporting on the Mayborn Conference. 4 is] a well-wrought road map to navigating the twists and turns, thrills and pitfalls, and joys and sorrows of the writer's journey." ―Donna Marie Smith, Library Journal The Art of Fact: A Historical Anthology of Literary Journalism , ed.

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You stick to the truth--the storytelling is fact-based--but you adapt some of the features of fiction (creating a narrative persona, setting scenes, presenting interesting characters, creating the look and feel of a setting, telling a story) to the purposes of journalism.With narrative nonfiction you don't present the main point in the first paragraphcompelling narrative keeps the reader reading to find out what happens, and the journey to the epiphany is half the point.Narrative nonfiction--joining good research with compelling, character-driven storytelling--reads like a novel.After a series of links here you will find a list of classic book-length narrative nonfiction, followed by links to a few exceptionally good short narratives or newspaper series readable online.In some cases you read and listen, as if attending the conferences. 8, 2014 --The Berkeley Narrative Journalism Conference, cosponsored by ASJA Educational Foundation), this new conference brings top editors and writers to Berkeley for a daylong exploration of nonfiction storytelling.(Andrea Pitzer's Nieman Storyboard report from Mayborn Conference, 8-6-10).